https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0, Shop Shure KSM8 Dualdyne Cardioid Dynamic Vocal Microphone at Sweetwater https://www.sweetwater.com/store/detail/KSM8Nshure-ksm8-dualdyne-nickel/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, Shop Shure KSM9 Dual-Pattern Condenser Handheld Vocal Microphone at Sweetwater https://www.sweetwater.com/store/detail/KSM9CGshure-ksm9-handheld-condenser-microphone-charcoal-gray/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, If youre wondering what video gear we use, check it out https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. Loud rock/metal bands will probably prefer the resilience of a good dynamic mic. Find out more about how we test. Dual-diaphragm technology has important benefits for vocal work, which is why virtually every studio vocal is conventionally recorded with a dual-diaphragm (capacitor) mic. Braunmhl-Webers innovative capsule design was patented in 1936, and introduced commercially as the famous M7 capsule employed in all of Neumanns early microphones. Pressure-operated capsules have no proximity effect at all, of course, and consequently the dual-diaphragm capsule has a greatly reduced proximity effect for very close low-frequency sound sources. Beta 87A on UHF-R Wireless. AK8C. A dual-diaphragm design helps to reduce the proximity effect, and evens out the frequency response throughout the vocal range. In these microphones the front capsule mounted directly behind the grille captures only the high frequency components of the source sound, while a second capsule located behind it receives the low frequency sound components, via a damped acoustical tube from entry ports at the bottom of the microphones handle. 2:11 Shure KSM8 Only And of these, the SM57 and SM58 are industry-standard around the world. But guess you are looking more into a dynamic type of mic. The Shure KSM9 is a high-quality condenser microphone that is designed for live performances. Their ability to reproduce sound so accurately is why they tend to be used in studio recording. the Telefunken M80). Theres still a noticeable proximity when youre right on the grille, and here plosives still creep in, but nevertheless, for terms of ease of use, youre getting a much more predictable, consistent sound in a variety of positions. What's the problem with your 58? The Neumann KMS 105 is a great microphone for those who are looking for a high-quality sound. But there are some differences. Now available as a wired microphone, it's available both in champagne silver and charcoal black finishes. Given all the limitations of live performance, this mic really is impressively close to the natural sound of the human voice. They even look similar, with tapered handles and squareish divided metal grilles. The casing has an integrated three-state pop protection grille, which acts like a pop-shield and reduces plosives, breath and wind noise. Most studio condenser mics are far more sensitive than dynamic mics, which can cause problems in live performance. shure ksm8/n; . The "C" version is the best of the 87 lot for female vocals in my experience and I think the KSM9 is a huge improvement over it. . 1:41 Shure KSM9 Only The BLX88 is the two-channel version of the BLX4. Feel free to call us toll free at (800)222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. Theyre probably best-known for their affordable handheld dynamic stage microphones. At first glance it looks just like any other conventional stage vocal mic there's nothing in its styling that signposts the clever technology within. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. The CE Declaration of Conformity can be obtained from: www.shure.com/europe/compliance, Headquarters Europe, Middle East & Africa. A cardioid polar pattern shouldnt pick up any sound from the rear of the microphone. 0:00 Intro At the rear of the diaphragm the acoustic combination of these separate signals with altered phases and amplitudes results in an accurate cardioid polar pattern with a greatly reduced proximity effect. For example, AKG developed their D200 range of two-way or dual-capsule microphones in the late 1960s. Because of this, Shure KSM9 is much easier to use when there are other singers or instruments on the stage. Theres nothing quite like knowing your audience are listening to a high quality sound. Win a TB-03 and TR-06 from Roland. As a condenser designed for gigging and live use, the KSM9 is perfect for anyone looking to bring a high quality studio sound to the stage. . It may not display this or other websites correctly. A loud metal band might struggle with the increased sensitivity of a condenser, and a raucous singer might push the limits of the mic. Your email, has been entered to win this giveaway. With seven years of R&D costs to recover and some very advanced engineering, this mic is inevitably expensive in comparison to conventional moving-coil stage mics. The triple grille pop-shield handles plosives well, whereas the dual diaphragm design is very effective at reducing the proximity effect. Comparing to other Shures, itis a great step up from their Beta 87A and miles ahead ofBeta 58A. Review: Best Wireless Mics to date For pros & Noobs! If the vocalist presses their lips against the grille there is a small but noticeable increase in the bass end, but it really is very moderate in comparison to most stage mics. Elegantly crafted products that are simple, useful, and desirable. Obviously, handheld dynamic mics are nothing new, and neither are microphones with dual diaphragms: every switchable-pattern capacitor mic has used that particular technology since the mid-1930s! KSM9 is a top line mic and I assure you its pretty tough the capsule is well protected, and if dropped, the internal suspension can easily handle the shock. The passive diaphragm obviously moves in response to sound waves, and thus transmits sound waves into the rear chamber, but it affects low and high frequencies differently. To learn more about our cookie policy, please visit our Privacy Policy. It also helps to minimise high-frequency handling noise. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more. The KSM9 is slightly more expensive but offers better sound quality and features such as a detachable cable. From those a reviewed, Heil PR35 would be the closest match in how it sounds while also being studio worthy. All contents copyright SOS Publications Group and/or its licensors, 1985-2023. However, the proximity effect is not the only aspect of the capsules behaviour that is changed by the addition of a rear passive diaphragm. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. In contrast, the dual-diaphragm capsule achieves a superior cardioid polar response and on-axis frequency response for close (nearfield) sources. He specializes in literature and creative writing, with a focus on fiction. Some sound engineers also favour the increased directionality of a supercardioid when recording drums or other instruments. On vocals and speech, although the level changes, you get very similar frequency response from a couple of inches up to about a foot. Well, at 429, this mic doesnt come cheap. Virtual elimination of proximity effect allows a much larger working range, which translates into a far more consistent sound regardless of mic technique (or its absence!). Future Publishing Limited Quay House, The Ambury, In general, a single-diaphragm capsule provides more accurate results for distant (far-field) sound sources, having a more accurate cardioid response which rejects rearward sources more effectively, and also enjoying a more accurate on-axis frequency response. We have both b87c and b87a capsules for our handhelds too, but these don't see anywhere near as much use. The KSM8 has many unique design quirks to reduce plosives and the proximity effect, and enable a smooth natural sound. Last but not least is an interchangeable polar pattern. At 191 mm (7.5"), it's slightly longer than the Shure SM58. This translates to greatly reduced level and tonality changes and less need to compress or EQ the mic in the FOH mixer, even if the users mic technique is less than perfect! Professional vocalists are always repositioning their mics to change the tone and add expression to their performance. This moisture-resistant cloth protects the cartridge while providing superior pop protection, ensuring years of usability and durability. Dualdyne capsule continues the ongoing evolution of microphone technology. Cardioid is more natural but may need a louder vocal to combat feedback. They are just in completely different leagues. The dual diaphragm design gives it one active and one passive diaphragm, so its also inspired, to an extent, by some of the classic fixed-pattern twin-diaphragm condensers. This helps reduce handling and stand noise, as well as offering some protection to the internal circuit. Always works in a rock setting. A perfect choice for precise, intimate live vocals. New Release: EDM Expanse (Construction Kits). However, the KSM9 has this covered. A very similar mic to the KSM9. Sound Magic Blue Grand, 2 Steinway grand pianos collection, Crackling / Popping Noise on XLR Microphone, Roger Linn teaches "Designing Physical Interfaces for Music". The Shure KSM9 has a sleek metal solid-colour design. I think the Shure is a little brighter in character, whereas the Sennheiser is a bit more pronounced in the low-mids. All in all the KSM9 has a durable, carefully considered design. It is also nice to admit the technological advancements implemented in this unit. However, what is new groundbreaking, in fact is the application of the dual-diaphragm configuration in a moving-coil capsule. DUAL DIAPHRAGM TECH. In practical terms, working the microphone in the normal way exhibits a far more consistent and balanced sound than would be experienced with, say, an SM58, which can go from distinctly boomy to noticeably thin with only the smallest of positional changes. In Asia, call 852-2893-4290. This can really work well for folk, jazz and classical styles. There are no user-serviceable parts inside. These are the vibrations in the sub bass range that youll feel more than hear. Giving just enough brightnessto put you in line or slightly ahead of the instruments, I find it working great for all types of voices too. Featuring one of the most innovative cardioid polar pattern microphones that Shure has developed to date, the Dualdyne cartridge of the . Features. Side spill doesnt suffer excessive coloration, and the amount of rearward rejection is impressive and unusually clean. Shure QLXD2/KSM9. Large diaphragm mics tend to be better at capturing low-end, whereas smaller diaphragm microphones do a better job with higher frequencies and transient detail. 5 () The best way I can describe the sound of the KSM9 is that it provides an authentic reproduction of the sound source. Crucially for a live condenser, theres also a suspension shock mount. An internal shock mount offers the kind of durability youd expect from a live mic. On first listen, the two mics have a similarly clear and transparent sound. The sound engineer will normally mute the mic from the mixing desk when needed. Their design used a complex arrangement of perforations drilled into separate brass plates which, when sandwiched together to form the microphone backplate, created an acoustic labyrinth behind the front diaphragm. The head of the mic is 49 mm (1.9) and it weighs in at about 300g (10.6oz). Geeksper.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon. (source: Section 5), Specification of Neumann KMS 105 Microphone, Neumann KMS 105 MT Condenser Microphone, Super-Cardiod,Matte Black, Sennheiser e935 vs e945 Microphone Comparison, Telefunken M80 Review: Features, Pros, And Cons, MXL 990 Review: Microphone Features, Performance, Pros & Cons, Top 5 Best Microphone for Recorder in 2023, The Best Microphones and Headphones for Online Gaming, Highly detailed condenser mic for demanding on stage applications, Robust metal housing reduces handling noise, Includes stand mount and padded nylon bag. Available colors: User rating: 71. The Shure KSM9 is a condenser microphone, so it does require phantom power. The KSM9 is a two-channel microphone, meaning that it has two diaphragms, which are each made up of a membrane and a coil. The lows are being naturally rolled off to avoid that unwanted mud and boominess. http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf, Win! The KSM8 retails for a couple of hundred dollars cheaper than its condenser counterpart, and is aimed at a slightly different consumer bracket. 71 user ratings. Enter the KSM8. Condensers offer a higher output level than dynamic mics, but theyre a lot more sensitive to loud noises, handling noise, and tend to break more easily. The Neumann KMS 105 and the Shure KSM9 are both great microphones, but the Neumann kms 105 is the better microphone. I have heard good things about this capsule. Exceptional consistency across all frequencies, providing more gain before Dual gold layered, low-mass Mylar diaphragm design, Switchable polar patterns (supercardioid and cardioid). The KSM8 provides greater immunity to these problems, due to linear polar response across the entire frequency spectrum. This makes them very different types of mic, each with their own internal circuitry. Boston, Turn your old gear into new gear with the Sweetwater Gear Exchange! It may likely suffer from cosmetic defects, such as grille deformation and less likely scratches. He enjoys writing middle grade and YA fiction, doing traditional art, and keeping up with the latest anime series. jim martin death couples massage class san diego beaver falls football shure axient combiner. Interesting Essay On Sampling Rights and Reforms. One other thing to note is that theres a very slight difference in the high-end response between the two switchable polar patterns. In the event of some tragedy befalling the mic, replacement grilles and complete capsules are available, if required, so the KSM8 should endure the rigours of touring live sound over a very long life. Live sound engineers often use signal processing, like equalization, to mitigate both the proximity effect of traditional microphones or to compensate for improper microphone technique (such as when a performer covers the grille with their hand). Polar Pattern Frequency Response 500 Hz 250 Hz 1,000 Hz 6,400 Hz 9,000 Hz 2,500 . Theyre balanced, which means the cables are shielded from interference and carry a higher signal than unbalanced cables. The event in which it gets out of order is quite unlikely, however, with a good amount of acceleration, anything can be achieved. The Sennheiser has some unique features: a low-cut filter switch, for singers who need to remove low frequency noise from the room. Usefully, and for related reasons, the mics susceptibility to plosive popping is also dramatically reduced as an added bonus! For a condenser, different polar patterns are achieved by changing the backplate voltage, shifting the capacitance, etc., - these manipulations are essentially . But as condensers are more sensitive than dynamic mics, they may not be the best choice for everyone. It has a cardioid pickup pattern, which means that it picks up sound from in front of the mic and rejects sound from the sides and rear. I also noticed how the mic bodys tapering shape and weight distribution automatically guides a natural hand position well away from the grilles rear entry ports. General Description. The kit includes a regular mic clip and a stiffened soft carry pouch, and theres a choice of finishes - black or brushed nickel. Cloudflare Ray ID: 7a2dba687d4fa3ab The Neumann KMS 105 microphone is the choice for professionals who demand excellence in their recordings. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. But theres one major difference between these two mics. By 1967 Electro-Voice had improved the concept and the RE15 model was the first with Continuously Variable-D technology. It offers a natural, open sound, with a very balanced low-end, beautifully smoothmidrange and brillianthighs. The KSM9 boasts a wide frequency range from 50 Hz to 20,000 Hz. This was the companys first model to use their Variable-D technology, although the concept wasnt patented until 1963. and all parts are high grade. This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking. Great site. Condenser mics are generally considered as sensitive to handling vibrations; however, in case with KSM9 the difference is tremendous. Shure KSM9 Cardioid and Supercardioid Condenser Mic.